Fifth studio album, produced by Mike Crossey (The 1975 and Arctic Monkeys), sees The Gaslight Anthem push their raw, striped back rock ‘n roll into new territory, drawing on a fresh palette of influences ranging across folk, punk, and Americana.
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The Gaslight Anthem’s major label debut takes them further away from their independent “punk Springsteen” roots into Boss-sized would-be stadium rock with a nod to Celtic-influenced Brit rockers Big Country and the Alarm. The songs wear broken hearts on checked sleeves, with a “whoah-oh” or “hey-ey-ey” never far away. Opener 45, the stirring Biloxi Parish […]