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Few things are as pure as the sound of a solo vocal and sparse acoustic accompaniment. That singularity of purpose led to the latest collaboration from veteran blues man Steve Howell and his partner, Jason Weinheimer; “A Hundred Years From Today.” The wonderful ten song collection of rural country blues and traditional jazz offerings in the intimate setting of guitar, bass and vocals is set for an August of 2017 release. Texan Steve Howell provided the melodic and seasoned finger style guitar and soulful vocals while Jason Weinheimer lent his considerable and widely recognized skills on bass, engineering, mixing and mastering. The album opens with the jaunty trad jazz tune, ‘Lulu’s Back In Town,’ that was a staple of Fats Waller’s repertoire. The old-time country blues tune from 1927, ‘Kansas City Blues,’ shows off Howell’s adept finger picking skills and the inspiration he drew from Mike Bloomfield. Howell then digs deep into the songbook of fellow Texan Lightnin’ Hopkins for the share cropper’s blues ‘Going Back To Florida.’ The loose yet tight two-step feel of ‘Louis Collins,’ cleverly disguises the dark beauty of the great American murder story from the 1920’s, first recorded by Mississippi John Hurt.
Howell pays tribute to another one of his heroes, and Texas legend, jazz man Jack Teagarden, on the sweet lilting title track, ‘A Hundred Years From Today.’ Weinheimer keeps the bass walking as Howell trades rhythm, leads, and verses on the country blues boogie ‘Got The Blues, Can’t Be Satisfied,’ another standard from the catalog of Mississippi John Hurt. The duo then pays tribute to the Crescent City, (New Orleans) the birth place of Jazz on a loving reading of ‘Basin Street Blues.’ Howell deftly merges the jazz standards ‘Limehouse Blues’ and ‘After You’ve Gone’ into one with an extended instrumental intro of more finger picking magic that sets up his easy swinging vocals. Bo Carter and The Mississippi Sheiks wrote and recorded some of the most varied Delta Blues material and are well known for bawdy songs such as ‘Who’s Been Here?’ that would have been considered “blue material” back in the day. Howell delivers here with the light hearted, tongue-in-cheek humor that was intended. The much-loved standard, from the great American songbook, ‘Rocking Chair,’ closes out the set with Howell slowing the tempo and imbuing the motif of a dialog between an aged father and his son, with the deep melancholy from someone facing mortality.
“A Hundred Years From Today,” from Howell and Weinheimer, offers an interesting and accessible set list, recorded with an eerie clarity missing in the quality of most audio production, that breathes new life into gems from the past and taps the depths of the human condition.