320 kbps | 140 MB | LINKS
Love and Theft a remarkable achievement, but they’re supported by a tremendous set of songs that fully synthesize all the strands in his music, from the folksinger of the early ’60s, through the absurdist storyteller of the mid-’60s, through the traditionalist of the early ’70s, to the grizzled professional of the ’90s. None of this is conscious, it’s all natural. There’s an ease to his writing and a swagger to his performance unheard in years — he’s cracking jokes and murmuring wry asides, telling stories, crooning, and swinging. It’s reminiscent of his classic records, but he’s never made a record that’s been such sheer, giddy fun as this, and it stands proudly among his very best albums.
Mastered from the original master tapes and strictly limited to 3,000 numbered copies, our hybrid SACD reveals the you-are-there immediacy of Dylan’s production and the colorful textures inherent to every passage. Experienced on this audiophile version, the songs possess a sense of swing and naturalism so sure-footed that they seem to float, with Dylan and his crack ensemble setting up as a live band taking down the house in a deep-in-the-woods Louisiana shotgun shack. Prized aural traits such as presence, imaging, separation, and soundstaging depth don’t come better.